JA 113, Spring 2019 Reprint Edition Expo ’70

JA 113, Spring 2019

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SKU: 300113 Category:

English + Japanese / 176 Pages / 226 x 297 mm / 720 g

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Content

The Osaka Expo ’70 was conceived, planned—by Kenzo Tange and Uzo Nishiyama— and executed in the late 1960s, during a period of social and cultural turbulence.

Inherent in the Expo was a keen awareness of Japan’s transition from an industrial to an information society, resulting in a shift in curatorial emphasis to the “software” underlying our built environments and relations. The now-iconic “Symbol Zone”—highly demonstrative of these preoccupations— featured the “Space Frame,” an enormous roof, embedded with architectural plug-ins, all embodying the accomplishments of advanced technology. The Festival Plaza, at the Symbol Zone’s core, furthered the metaphor: an open space where people could meet and communicate directly with one another, an architectural hybridization somewhere between “architectural software” and the agora.

Aiming also to be “a world fair on approaches to urban development,” the event site was designed as an experimental city that suggested technocratic potentials to collectively aspire towards. Radical questions posed during this time—which have become increasingly relevant in the 21st Century—are revisited in JA 113, through the object of the Expo: How can we create physical environments that encourage people to directly engage with them, as if in a feedback loop, through information technology? Can architecture function as a communication media? Should architecture even do so?

In October 2018, the decision was made for Osaka to host World Expo 2025. Featured in JA 113 are selected articles originally published in the May 1970 issue of Shinkenchiku, as well as in the May / June issue of JA, both of which featured Expo ’70. We hope this publication will be a useful resource for exploring the possibilities of Expo 2025, Osaka-Kansai.

JA 113 includes:

Dialogue
Some Thoughts about EXPO ’70
Kenzo Tange x Noboru Kawazoe

Feature
The Symbol Zone

Essays
Moving Walkways and Urban Traffic
by Koichi Sone, Sei Oyuki, and Yuji Morioka

The EXPO '70 Information Communication System
by Yoshio Tsukio

The EXPO '70 Grounds Artificial Environment
by Toshio Ojima

Works

The Space Frame
Kenzo Tange, Koji Kamiya (URTEC),
Asao Fukuda (Soseisha Takekoshi Kenchiku Jimusyo

Festival Plaza
Kenzo Tange, architectural facilities; Atsushi Ueda (General Arts Urban Planning Science)
mechanical facilities; Arata Isozaki Atelier

EXPO Tower
Kiyonori Kikutake Architect, and Associates

The United States Pavilion
Davis, Brody, Chermayeff, Geismar, deHarak, Associates
Yasuo Uesaka (project architect)

The Canadian Pavilion
Erickson/Massey Architects and Planners

The British Pavilion
Powel & Moya Associates

The Republic of China Pavilion
Peng Yin-Hsuan, Lee Chu-Yuan

The Netherlands Pavilion
J.B. Bakema, lr. C. Weeber

The Switzerland Pavilion
Willi Walte

The International Place No.2-B
Environmental Design Associates, Toshi Kenchiku Sekkei Firm

The Electric Power Pavilion
Sakakura Associates, architects and engineers

The Sumitomo Fairytale Pavilion
Sachio Otani and Associates

The Fuji Group Pavilion
Yutaka Murata

The Takara Beautilion
Kisho Kurokawa Architect, and Associates

The Ricoh Pavilion
Nikken Sekkei Komu

And...
Other Foreign and Japanese Private Pavilions
Landscape
Sub-plazas
Fountains and Sculpture
Expoland
Expo Site Furniture

Data

Winning Entries of the Central Glass International
Architectural Design Competition 2018

Announcement: The Central Glass International
Architectural Design Competition 2019